Accessibility Program

JOYFUL NOISE

Welcome to the performance!  We’re excited that you joined us.

This is an enhanced event program that includes images and info for each work.  

Kat, your ASL interpreter on Friday 6/13, will be with you throughout the performance.

Enjoy the show! 

Stroll


Performers Jane Abbott, Maiko Harada, Saki Masuda, Richard Sayama, 

Emily Smyth Vartanian, and Juniper Viernes

Music: The Stroll and Expanding2 by TAIKOPROJECT

Costumes: Sueko Oshimoto/KimonoSK

Choreography: Emily Smyth Vartanian  


This song features contemporary Taiko percussion including multiple drums, flutes, and shouts from the ensemble while they play:

Flute Set - First Movement

Zara Lawler (The Flute on Its Feet)

Music composed by: Adolphus Hailstork

Costume: Zara Lawler

Choreography: Emily Smyth Vartanian  

Zara Lawler’s next flute solo is relaxed, playful and lively.

[GIF of Taikoproject]

Photo of Pablo Eluchans sitting at his drumkit

Anything You Can Do…

Richard Sayama and Peter Trojić

Music: Early Morning Wander by Jackeline Rago and Donna Viscuso

Choreography: Emily Smyth Vartanian

Yarkhushta (Battle Dance)

Jane Abbott, Maiko Harada, Saki Masuda, 

Emily Smyth Vartanian, and Juniper Viernes

Music: Yarkhushta (Traditional Song) by Sevak Amroyan

Live Percussion: Pablo Eluchans

Traditional Armenian movement staged by Emily Smyth Vartanian

Yarkhushta is traditionally a battle dance, and is still done as a folk dance today in some social settings. In addition to our percussionist, Pablo, there is high-energy recorded music for this piece played by a modern Armenian band, led by vocalist Sevak Amroyan:

Photo of Zara Lawler playing the flute - Photo by Ismael Fernandez

Karingana wa Karingana (“Once Upon a Time”)

Jane Abbott, Ray F. Davis, Maiko Harada, 

Emily Smyth Vartanian, and Juniper Viernes

Music: Banda Hodi

Choreography: Eugenio Macuvel

Photo of 41street Ensemble - Photo by Carolina Abolio

Friends in Rhythm

Pablo Eluchans, Juniper Viernes,  

and the magic feet of Alexandra Williamson

Live music: Pablo Eluchans

Solo improvography: Juniper Viernes and Alexandra Williamson

Juniper and Pablo will do an improvised jam live, trading rhythms back and forth as well as making music together.

Photo by Ismael Fernandez

Photo of Juniper tapping with musicians - Photo by Nina Galicheva

In Tandem

Jane Abbott and Maiko Harada

Music: Violin Concerto in A Minor by G.P. Telemann, 

Symphony #3 in C Major, Op. 2 by William Boyce, and 

Oboe Concerto #2 in D Minor, Op. 9 by Tomaso Albinoni

Choreography: Richard Sayama

Inspired by the Japanese character for “human,” it’s a powerful reflection on trust, support, and connection.

Hailstork Flute Suite

Fourth Movement

Music by Adolphus Hailstork


This piece is a lively flute solo performed by Zara Lawler.  The choreography is designed with the same feeling as the music - lively, playful, and brisk!

Photo of Zara Lawler flying off a wall - Photo by Ismael Fernandez

On/Off (Work in progress)

Jane Abbott, Pablo Eluchans, Maiko Harada, Zara Lawler, 

Saki Masuda, Richard Sayama, Peter Trojić, 

Emily Smyth Vartanian, and Juniper Viernes

Music Composed and Performed by: Pablo Eluchans

Choreography: Emily Smyth Vartanian

Still image of Sevak Amroyan singing, from his “Yarkhushta” music video

It features an instrument called a Zurna, with a tone similar to a bagpipe:

Still image of a Zurna player, from Amroyan’s “Yarkhushta” music video

Hailstork Flute Suite

Third Movement 

Music by Adolphus Hailstork

For her next solo performance, Zara Lawler brings a much more somber piece. The music is slower, more lilting and serene, but with a feeling of yearning underneath.

Photo and Gif of Zara Lawler playing the flute - Photos by Ismael Fernandez


A Moment with Saki - “Chrysanthemum”

Saki Masuda

Music: Eleonora Pellegrini

Costume: Karen Gayle

Choreography: Karen Gayle

This elegant solo is played by a member of the 41street Ensemble, Eleonore Pellegrini. The piece is a waltz for harp.

Encore & Bow

Full Company

Flute Set - Second Movement 

Zara Lawler with Pablo Eluchans and the Audience

Live music: Zara Lawler

Choreography: Emily Smyth Vartanian

It will involve participation for just a few audience volunteers.

Following the final dance, feel free to come say hello to the cast - we would love to chat or dance with you!

That’s our show!  

Thank you again for joining us.

If you have any feedback about how we can provide a better experience for future performances, please get in touch: 

Trouble@GeneralMischief.com

Instagram @general_mischief_dance

 

Mischief Staff and Co-Conspirators 

Head Troublemaker: Emily Smyth Vartanian

Mischief Administrator: Mia DiChiaro

Technical Director: Mark Baker 

Stage Manager: Kara Kaufman

General Manager, The Riverside Theater (TRT): Temishia Johnson 

TRT Technical Manager: Martin Bodenheimer

TRT Audio Engineer: Oscar Portillo

TRT Light Board Operator: May Harris

TRT Stage Crew: Refilwe Kekana

PR Representative: Michelle Tabnick PR


Plus our amazing collaborators:

TAIKOPROJECT.com  -  @taikoproject on Instagram

Karen Gayle at xodusdancecollective.com  -  @xodusdance 

Hodi Maputo Afro Swing at MASX.org - @hodimaputoafroswing 

Donna Viscuso - @41street_ensemble & Jackeline Rago - @jackelinerago 


Special Thanks 

The generous donors and organizations who make Mischief possible!

Mia DiChiaro for making wonderful Mischief from a distance.

The incredible company artists for their generosity and resilience. 

Annaliese Wilbur for a wonderful tap board, and Aaron “AB” Belinfanti for helping Alex be in two places at once. Chriselle Tidrick and Stefani Berger for beautiful costume pieces. And YOU for joining the adventure! 


Joyful Noise performances are supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council, as well as the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. General Mischief’s work is also supported by Dance/NYC’s Dance Advancement Fund, made possible by the Howard Gilman Foundation and the Ford Foundation.

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Huge thanks to the organizations who made today possible: